January 17, 1949 - Born in New York City, the first son of Stanley and Janice Kaufman. Andrew Geoffrey Kaufman is raised in the affluent Long Island suburb of Great Neck and gravitates towards show business at an early age. Before he is even a year old, Andy reaches from his crib to work the controls of a nearby phonograph. "He'd stand up in his crib and keep it on all the time, just putting the needle back," Janice remembers, "whenever it was on, he was content."
"While all the other kids were out playing ball and stuff, I used to stay in my room and imagine that there was a camera in the wall. And I used to really believe that I was putting on a television show and that it was going out to somewhere in the world."
~Andy Kaufman

It was clear (to me) that he was a major talent when he appeared on
SNL - and to my delight I watched a man lip-synch to music to the Mighty Mouse cartoon on live television. My friends and I became instant fans - also taking up the art of lowbrow karaoke-ing to music as obscure as what blared from the multicolored records provided with a Fisher-Price record player.
Very soon Andy was a hot commodity, a favorite among his peers and had a new film in the can. The fantasy of performing, combined with his dangerous mixtures of provocation, superseded everything else in his professional life.
It was around the same period when Andy sabotaged the SNL knockoff,
FRIDAYS. Again, and thanks to my excessive TV viewing, I witnessed a man wreck a live-audience, late-night comedy show. It was clear to the trained eye that the other actors in the sketch went apeshit but Andy's creation of what he called "pure entertainment" became legendary right then and there. His ability to challenge the established standards of performance changed many perceptions about the entertainer/audience relationship, and perhaps will be Andy Kaufman's true lasting legacy.
Then reports started coming in about his bus boy job in a Manhattan diner - he really had a day job WHILE he was playing Latka Gravas on the popular tv sitcom
Taxi. That is also when the link between the horrendous nightclub performances of Tony Clifton - Andy's grotesque lounge lizard alter ego - became obvious that Andy Kaufman's lust for guerilla theater was insatiable.
Shortly after his death it was reported that
Tony Clifton was still performing in clubs, insulting people and running amok. Some thought it was Bob Zmuda, Andy's best friend, writer and fellow provocateur.
We shall never know for sure.